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Alfred Sisley Ufer der Seine im Herbst oil painting


Ufer der Seine im Herbst
Painting ID::  76249
Alfred Sisley
Ufer der Seine im Herbst
Date 1879 Medium Oil on canvas Dimensions Deutsch: 46 ?? 65 cm cyf

   
   
     

Alfred Sisley Ufer der Loing bei Moret oil painting


Ufer der Loing bei Moret
Painting ID::  76259
Alfred Sisley
Ufer der Loing bei Moret
Date 1892 Medium Oil on canvas Dimensions Deutsch: 73 ?? 92 cm cyf

   
   
     

Alfred Sisley Hauser am Ufer der Loing oil painting


Hauser am Ufer der Loing
Painting ID::  76260
Alfred Sisley
Hauser am Ufer der Loing
Date 1889(1889) Medium Oil on canvas Dimensions Deutsch: 33 ?? 41 cm cyf

   
   
     

Alfred Sisley Bauernhof zum Hollenkaff oil painting


Bauernhof zum Hollenkaff
Painting ID::  76261
Alfred Sisley
Bauernhof zum Hollenkaff
Date 1874(1874) Medium Oil on canvas Dimensions Deutsch: 47 x 62 cm cyf

   
   
     

Alfred Sisley Weg in Veneux Nadon im Fruhling oil painting


Weg in Veneux Nadon im Fruhling
Painting ID::  76262
Alfred Sisley
Weg in Veneux Nadon im Fruhling
Date 1885 Medium Oil on canvas Dimensions Deutsch: 54 ?? 73 cm cyf

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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